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Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Dan Charbonnet Lantana, 2022

Dan Charbonnet
Lantana, 2022
Gouache on canvas strips
24 x 24 inches

Dan Charbonnet Barataria, 2022

Dan Charbonnet
Barataria, 2022
Gouache on canvas strips
54 x 54 inches

Dan Charbonnet Stalefish, 2022

Dan Charbonnet
Stalefish, 2022
Gouache on canvas strips
54 x 54 inches

Dan Charbonnet Teatro, 2022

Dan Charbonnet
Teatro, 2022
Gouache on canvas strips
54 x 54 inches

Dan Charbonnet Hibiscus, 2022

Dan Charbonnet
Hibiscus, 2022
Gouache on canvas strips
24 x 24 inches

Dan Charbonnet Sweet Olive, 2022

Dan Charbonnet
Sweet Olive, 2022
Gouache on canvas strips
24 x 24 inches

Dan Charbonnet Swamp Titi, 2022

Dan Charbonnet
Swamp Titi, 2022
Gouache on canvas strips
24 x 24 inches

Dan Charbonnet Oleander, 2022

Dan Charbonnet
Oleander, 2022
Gouache on canvas strips
24 x 24 inches

Dan Charbonnet Youth Dew, 2022

Dan Charbonnet
Youth Dew, 2022
Gouache on canvas strips
24 x 24 inches

Dan Charbonnet Possumhaw, 2022

Dan Charbonnet
Possumhaw, 2022
Gouache on canvas strips
24 x 24 inches

Dan Charbonnet Nicoise, 2021

Dan Charbonnet
Nicoise, 2021
Watercolor and graphite on paper
18 x 18 inches
 

Dan Charbonnet Forenza, 2021

Dan Charbonnet
Forenza, 2021
Watercolor and graphite on paper
18 x 18 inches

Dan Charbonnet Cappella, 2021

Dan Charbonnet
Cappella, 2021
Watercolor and graphite on paper
18 x 18 inches

Dan Charbonnet Alamos, 2021

Dan Charbonnet
Alamos, 2021
Watercolor and graphite on paper
18 x 18 inches

Dan Charbonnet Study 7, 2021

Dan Charbonnet
Study 7, 2021
Watercolor on paper
8 x 8 inches

Dan Charbonnet Study 5, 2021

Dan Charbonnet
Study 5, 2021
Watercolor on paper
8 x 8 inches

Dan Charbonnet Study 6, 2021

Dan Charbonnet
Study 6, 2021
Watercolor on paper
8 x 8 inches

Dan Charbonnet Study 2, 2021

Dan Charbonnet
Study 2, 2021
Watercolor on paper
8 x 8 inches

Dan Charbonnet Study 4, 2021

Dan Charbonnet
Study 4, 2021
Watercolor on paper
8 x 8 inches

Dan Charbonnet Study 1, 2021

Dan Charbonnet
Study 1, 2021
Watercolor on paper
8 x 8 inches

Dan Charbonnet Study 8, 2021

Dan Charbonnet
Study 8, 2021
Watercolor on paper
8 x 8 inches

Dan Charbonnet, Archipelago, 2021

Dan Charbonnet

Archipelago, 2021

Gouache on paper and archival pigment print, Edition 3/5

17 x 17 1/2 inches

Dan Charbonnet

Beau Monde

June 4 – 25, 2022

Opening Reception: June 4th from 6 – 8 pm

Octavia Art Gallery is pleased to present Beau Monde, a solo exhibition of drawings and paintings by Dan Charbonnet.

Dan Charbonnet’s art is grounded in the rudiments of painting. He strives to achieve balance between process and application. The construction process comprises actions like ripping, stretching, heating, stapling, fraying, and sewing the canvas, while the application involves the taping, priming, painting (hard lines, soft lines, washes, gestures), and curating color.

For Charbonnet the studio work, both as an object and compulsive action, is about being aware and being present. His creative process involves the distillation of experience and composing these moments into painting constructions. These arrangements of material, space, and color pursue harmony and intention. The creative drive is a destination and struggle that both exercise and nurture mental health.

Through construction, destruction, and subsequent reparation, Dan Charbonnet displays the experience of the painting and unravels it. Reminders of the array of textures inherent to the practice are crafted through raw margins of ripped canvas contrasting with hard edges of value. Angular formations continually relate to their four-sided boundary, remarking upon but undercutting its rectangularity. Pared down to a selective color scheme, ribbons of intensity fashion their own picture while suggesting potential palettes for alternate images.

The repetitive, rhythmic and meditative qualities native to processes of the medium are emphasized. Torn fiber indicates the action of stretching canvases while the recurrence of shapes signals compulsivity and echoed movements essential to painting. Agitated by rips and gaps in the fabric, the variations in pigment and consistency glimmer and bounce out of the grid while their rapport maintains the composition’s underlying discipline.

Several dimensions develop optically: the dim background, two layers of textile, and the simultaneous awareness of another view - one without depth: hued ropes enclosed by white, grey outlines cast by shadow, separation by darkness. Patterns emerge out of overlapping, mirrored complexions, and through time spent looking, one continually perceives these ever proliferating, oscillating arrangements.
- Eve O’Shea


Dan Charbonnet is a Louisiana native and graduate of the University of New Orleans, where he received a Master of Fine Arts in painting. He is represented by Octavia Art Gallery in New Orleans and Civilian Art Project in Washington DC. Charbonnet’s works are in museums and private collections across the country including the New Orleans Museum of Art, LA and United Therapeutics, NC.