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Raymond Saá Untitled, 2023

Raymond Saá
Untitled, 2023
Gouache collage on sewn paper
28 x 22 inches

Installation view

Installation view

Scott Andresen Cool Flesh of Valentines, 2023

Scott Andresen
Cool Flesh of Valentines, 2023
Hand dyed silk, metallic thread, acrylic paint on canvas
52 x 66 inches

Installation view

Installation view

Meghan Shimek, Four hundred one, 2023

Meghan Shimek

Four hundred one, 2023

Woven wall hanging made of brushed merino wool, hung on a copper rod

36 x 46 x 8 inches

Karen Margolis, Blue (from the Empty Vessels Series)

Karen Margolis

Blue (from the Empty Vessels Series)

Cotton-covered wire, thread, maps and found objects

21 x 11 inches

Installation view

Installation view

Julie Silvers Bikini, 2023

Julie Silvers
Bikini, 2023
Porcelain
64 x 15 x 12 inches

Dan Charbonnet, Sunset and the Sparrows, 2023

Dan Charbonnet

Sunset and the Sparrows, 2023

Oil on canvas strips mounted to tubular oak frame

40 x 40 inches

Installation view

Installation view

Meghan Shimek, Four hundred six, 2023

Meghan Shimek

Four hundred six, 2023

Woven wall hanging made of merino wool, hung on a copper rod

46 x 49 inches

Installation view

Installation view

Dan Charbonnet, Pagliaccio, 2023

Dan Charbonnet

Pagliaccio, 2023

Oil on canvas strips mounted to tubular oak frame

40 x 40 inches

Meghan Shimek, Four hundred eithty five, 2023

Meghan Shimek

Four hundred eithty five, 2023

Woven wall hanging made of targhee wool, hung on a copper rod

17 x 12 inches

 

Julie Silvers Range, 2023

Julie Silvers
Range, 2023
Porcelain
65 x 12 x 12 inches

Installation view

Installation view

Raymond Saá Untitled, 2023

Raymond Saá
Untitled, 2023
Gouache collage on sewn paper
28 x 22 inches

Karen Margolis, Convergence (from the Empty Vessels Series)

Karen Margolis

Convergence (from the Empty Vessels Series)

Cotton-covered wire, thread, maps and found objects

19 x 16 x 16 inches

Installation view

Installation view

Julie Silvers Bloom, 2023

Julie Silvers
Bloom, 2023
Porcelain
70 x 13 x 12 inches

Dan Charbonnet, Paradise Lost, 2023

Dan Charbonnet

Paradise Lost, 2023

Oil on canvas strips mounted to tubular oak frame

40 x 40 inches

Installation view

Installation view

Meghan Shimek, Four hundred ten, 2023

Meghan Shimek

Four hundred ten, 2023

Woven wall hanging made of indigo dyed merino wool, hung on a copper rod

25 x 21 x 8 inches

Scott Andresen Embracing Grace, 2023

Scott Andresen
Embracing Grace, 2023
Hand dyed silk, metallic thread, acrylic paint on canvas
78 x 56 inches

Installation view

Installation view

Julie Silvers Artichoke, 2023

Julie Silvers
Artichoke, 2023
Porcelain
69 x 18 x 12 inches

Meghan Shimek, Four hundred nine, 2023

Meghan Shimek

Four hundred nine, 2023

Woven wall hanging made of brushed merino wool, hung on a copper rod

34 x 26 x 7 inches

Installation view

Installation view

Dan Charbonnet, Paris Road, 2023

Dan Charbonnet

Paris Road, 2023

Oil on canvas strips mounted to tubular oak frame

40 x 40 inches

Installation view

Installation view

Julie Silvers Spiralina, 2023

Julie Silvers
Spiralina, 2023
Porcelain
77 x 18 x 12 inches

Scott Andresen The Distant Peak, 2023

Scott Andresen
The Distant Peak, 2023
Hand dyed silk, metallic thread, acrylic paint on canvas
46 x 56 inches

Karen Margolis, Green Ball (from the Empty Vessels Series)

Karen Margolis

Green Ball (from the Empty Vessels Series)

Cotton-covered wire, thread, maps and found objects

20 inches in diameter

Meghan Shimek, Four hundred three, 2023

Meghan Shimek

Four hundred three, 2023

Woven wall hanging made of brushed merino wool, splattered with green ink and hung on a copper rod

20 x 17 inches

Julie Silvers Sunchoke, 2023

Julie Silvers
Sunchoke, 2023
Porcelain
64 x 10 x 12 inches

TEXTURES

Fidelity Bank White Linen Night

August 5 – 26, 2023

Opening Reception August 5, 6-9pm

*During Fidelity Bank White Linen Night
 

Octavia Art Gallery is pleased to present TEXTURES, a group exhibition featuring the work of Scott Andresen, Dan Charbonnet, Karen Margolis, Raymond Saá Meghan Shimek, and Julie Silvers.  
 

Texture is a vital part of any artwork. It adds depth, complexity, and visual interest that transforms an image and helps to define the form by creating atmosphere and depth. This exhibition brings together a diverse group of contemporary artists who are utilizing a variety of materials, including metallic thread, canvas strips, sewn paper, Merino and Targhee wool, moss, stones, and clay.
 

In this exhibition, Scott Andresen explores themes of repair with hand dyed silk, metallic thread, and acrylic paint on canvas. He uses textile mending techniques as each piece goes through the separate stages of construction, destruction, and reparation. 


For Dan Charbonnet the construction process comprises of actions in the form of ripping, stretching, heating, stapling, fraying, and sewing the canvas, while the application involves the taping, priming, painting (hard lines, soft lines, washes, gestures), and curating color.


Karen Margolis’ series of Empty Vessels consist of destructed maps converging with fragments from dismantled sculptures. Bearing scars from their previous lives, the vessels unravel into themselves, suspended between form and formlessness. They are intended as magic talismans, in Buddhist philosophy, empty yet full and speak to the enduring beauty of imperfection (wabi-sabi) and of life's struggles, though which we find and honor the self.


Raymond Saá’s process-oriented work deconstructs and reconstructs natural elements, generating motifs that reference the artist’s Cuban roots, and connect natural forms with an architectural process by painting, sewing, and collaging paper and canvas.


Fiber artist Meghan Shimek creates woven wall hangings and sculptures. Her work is ethereal, whimsical, and delicate, but rooted in the warm, earthy materials she uses. Exploring organic movement, Shimek's weaving style allows the fibers to fall into an indeterminate pattern that reveals the beauty and vulnerability of her materials.


Julie Silvers creates ceramic totems made up of geometric shapes with textural surfaces. They embody primitive qualities with playful gestures. Her work exemplifies her love for patterns and architectural forms.


Please inquire for full artist bios and curricula vitae.