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Pierre Bergian 3 Columns (Mathematical Collection), 2025

Pierre Bergian
3 Columns (Mathematical Collection), 2025
Oil and pencil on paper
39 1/4 x 45 1/4 inches

Pierre Bergian Collection Geometrique, 2025

Pierre Bergian
Collection Geometrique, 2025
Oil on panel
18 1/2 x 21 1/2 inches

Pierre Bergian Roman Memories, 2025

Pierre Bergian
Roman Memories, 2025
Oil on canvas
29 1/2 x 32 1/2 inches

Pierre Bergian Temple et Diamants (Hommage to Piranesi), 2025

Pierre Bergian
Temple et Diamants (Hommage to Piranesi), 2025
Oil on canvas
32 x 34 1/2 inches

Pierre Bergian Abstract Fragments, 2025

Pierre Bergian
Abstract Fragments, 2025
Oil and pencil on paper
39 1/4 x 45 1/4 inches

Pierre Bergian Homage to the Neptunus of Altemps in Rome, 2025

Pierre Bergian
Homage to the Neptunus of Altemps in Rome, 2025
Oil on panel
18 1/2 x 23 1/4 inches

Pierre Bergian Homage a Soane (architect Sir John Soane), 2025

Pierre Bergian
Homage a Soane (architect Sir John Soane), 2025
Oil and pencil on paper
39 1/4 x 45 1/4 inches

Pierre Bergian Kunstkammer, 2025

Pierre Bergian
Kunstkammer, 2025
Oil and pencil on paper
39 1/4 x 45 1/4 inches

Pierre Bergian The Golden Room (Hommage to Rothko), 2024

Pierre Bergian
The Golden Room (Hommage to Rothko), 2024
Oil on panel
24 x 28 1/2 inches

Pierre Bergian Antiquities, 2025

Pierre Bergian
Antiquities, 2025
Oil and pencil on paper
39 1/4 x 45 1/4 inches

Pierre Bergian Three Columns and Three Statues, 2025

Pierre Bergian
Three Columns and Three Statues, 2025
Oil on panel
23 3/4 x 28 1/2 inches

Pierre Bergian The Rothko Room, 2025

Pierre Bergian
The Rothko Room, 2025
Oil on panel
22 x 27 1/4 inches

Pierre Bergian The Architectural Collection, 2024

Pierre Bergian
The Architectural Collection, 2024
Oil on panel
24 x 28 1/2 inches

Pierre Bergian

Architectural Fragments

November 1 – 29, 2025

Opening reception: November 1st, 6 – 8 pm

Octavia Art Gallery is pleased to present Architectural Fragments, a solo exhibition featuring new drawings and paintings by Pierre Bergian.

In Bergian’s recent work, the artist explores the evocative power of architectural fragments. These fragments invite viewers to imagine what’s missing, using them to form a visual language of suggestion, memory, and movement through time and space. The imagined environments sit at the crossroads of architecture and archaeology, disciplines both rooted in fragments and what they left behind. Increasingly, these spaces are inhabited by sculptural elements that feel both ancient and newly conceived, creating a layered dialogue between past and present.

A pivotal shift in Bergian’s practice occurred while painting interior portraits of Hubert de Givenchy’s Parisian palazzo, sparking a profound appreciation for detail. In his current work, details appear more as impressions than literal depictions.

For the first time, Bergian introduces large-scale drawings on paper, created with spontaneity and immediacy. These works emerge without hesitation, guided by what he calls “dynamic pencils and brushes.” The approach marks a move toward instinct over deliberation.

While drawing and painting, Bergian listens to piano music and imagines walking through the fragmented architectural spaces he has created.

Bergian studied Archeology at the University of Ghent and has published writings on the topic of design and architecture. He has had solo exhibitions at Purdy Hicks, London; Gallery Laurent de Puybaudet, Paris; Galerie Josine Bokhoven, Amsterdam, and his work is included in the permanent collection at the British Museum in London. In 2022, he was featured in the July issue of World of Interiors magazine and his paintings of Hubert de Givenchy’s interiors during the auction of the legendary fashion designer’s extraordinary collection at Christie’s Paris.