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Emilie Duval, Silicon Dreams, 2024

Emilie Duval

Silicon Dreams, 2024

Acrylic, marker, collage, and spray paint

24 x 24 inches

Danielle Frankenthal, The Last Beach Rose, 2023

Danielle Frankenthal

The Last Beach Rose, 2023

Acrylic paint and oil stick on acrylic resin

48 x 48 inches

Installation view

Installation view

Installation view

Installation view

Danielle Frankenthal, Burning Bush, 2023

Danielle Frankenthal

Burning Bush, 2023

Acrylic paint and oil stick on acrylic resin

50 x 50 inches

Installation view

Installation view

Installation view

Installation view

Emilie Duval, The Era of Delusion, 2024

Emilie Duval

The Era of Delusion, 2024

Acrylic, marker, collage, and spray paint

56 x 48 inches

Danielle Frankenthal, Night Blooming Jasmine, 2022

Danielle Frankenthal

Night Blooming Jasmine, 2022

Acrylic paint and oil stick on acrylic resin

48 x 48 inches

Installation view

Installation view

Emilie Duval, Quietly Distorted, 2024

Emilie Duval

Quietly Distorted, 2024

Acrylic, marker, collage, and spray paint

40 x 30 inches

Installation view

Installation view

Danielle Frankenthal, Atitlan, 2023

Danielle Frankenthal

Atitlan, 2023

Acrylic paint and oil stick on acrylic resin

31 x 31 inches

Installation view

Installation view

Emilie Duval, Extraction (triptych), 2024

Emilie Duval

Extraction (triptych), 2024

Acrylic, marker, collage, and spray paint

84 x 114 inches

Installation view

Installation view

Danielle Frankenthal, Rain Painting (#10), 2023

Danielle Frankenthal

Rain Painting (#10), 2023

Acrylic paint and oil stick on acrylic resin

31 x 31 inches

Danielle Frankenthal, Summer Rain, 2024

Danielle Frankenthal

Summer Rain, 2024

Acrylic paint and oil stick on acrylic resin

31 x 31 inches

Emilie Duval, Silicon Dreams II, 2024

Emilie Duval

Silicon Dreams II, 2024

Acrylic, marker, collage, and spray paint

24 x 24 inches

Danielle Frankenthal, Tropical Storm, 2023

Danielle Frankenthal

Tropical Storm, 2023

Acrylic paint and oil stick on acrylic resin

48 x 48 inches

Emilie Duval, The Garden of Yalta I, 2023

Emilie Duval

The Garden of Yalta I, 2023

Acrylic, marker, collage, and spray paint

56 x 36 inches

Emilie Duval, Landscapes of Reality (triptych), 2024

Emilie Duval

Landscapes of Reality (triptych), 2024

Acrylic, marker, collage, and spray paint

36 x 60 inches

Danielle Frankenthal, Fire and Water, 2023

Danielle Frankenthal

Fire and Water, 2023

Acrylic paint and oil stick on acrylic panels

48 x 110 inches

Emilie Duval, The Garden and the Origin, 2023

Emilie Duval

The Garden and the Origin, 2023

Acrylic, marker, collage, and spray paint

56 x 36 inches

Installation view

Installation view

Installation view

Installation view

Danielle Frankenthal, Ion Pair, 2020

Danielle Frankenthal

Ion Pair, 2020

Acrylic paint and oil stick on acrylic panels

17 x 17 x 2 inches each 

Perception of Paradise: Emilie Duval & Danielle Frankenthal

February 22 – March 29, 2025

Opening Reception: Saturday, March 8, 6 – 8 pm

Octavia Art Gallery is pleased to present, Perception of Paradise, featuring recent works by Emilie Duval & Danielle Frankenthal.
 

Emilie Duval’s paintings focus on the delicate tension between nostalgia and technological transformation, where the imagery of utopian mid-century modernity collides with the fragmented, transient nature of our digital age. She reimagines iconic motifs, palm trees, modernist architecture, and serene landscapes, disrupted and reframed by digital textures and abstract distortions. The result is a vision of paradise that feels both aspirational and disquieting, familiar yet unraveling under the weight of modern complexities. She builds the surface with layers of acrylic paint, creating bold structures that act as the foundation of the work. Drawings and collages, sourced and altered to evoke both memory and invention, are integrated into the composition, merging seamlessly into the painted environment. Spray paint adds a raw, gestural energy, creating moments of spontaneity and dissonance. This multi-layered approach reflects the fragmentation of perception in a world where the organic and the artificial are increasingly intertwined. Influenced by David Hockney’s vibrant use of color and spatial precision, she reinterprets his aesthetic not as a celebration of simplicity but as a means to probe the instability of beauty and the disruptions of modern life. Duval states, “I invite viewers to question the landscapes we construct, consume, and inhabit, both real and imagined and to consider how the ideals of the past are reshaped, perhaps even undone, by the forces of our digital present.”
 

Danielle Frankenthal’s work is about light in all its valences: as the specific light, which is color, as the most humanly perceivable for of pure energy which allows us sight, and as the great spiritual metaphor. Her formalistic concerns are mark and color over a strong albeit sometimes elusive substructure. She paints on transparent Acrylite® layers to mimic the way the viewer sees through their cultural programming and life experiences. The works are light interactive and change with the ambient light and the viewer’s position. Frankenthal brings the viewers’ attention to light, thus to time and the preciousness of evanescent things.
 

Duval studied the History of Art at the École du Louvre and Law at the University of Paris and currently lives between Houston and New York City. She has exhibited throughout the United States and Europe including recent solo exhibitions at Arts Fort Worth, TX; Patrick Mikhail Gallery, Montreal; and at Heidi Vaughan Fine Art, TX. Select group exhibitions were at Hollis Taggart Gallery, NY; the Luminaria Festival in San Antonio, TX; among others. Her work has been featured in Art Houston Magazine, where she was nominated Artist of the Year in 2024, and in New American Paintings. Duval’s newest public art commissions include Digital Convergences for the new Terminal D at Houston’s George Bush Intercontinental Airport. She was nominated Patron for the Houston French Alliance in 2024. 
 

Frankenthal studied at Brandeis University and the Arts Student’s League, NYC, and she is currently based in New Jersey. She has primarily exhibited throughout the United States and in Guatemala. Select solo exhibitions have been at Mizuma and Kips Gallery, NY; Wade Wilson Art, TX; Exhibit ‘A’ Gallery, NY; and at the Columbus Museum of Art, GA. She has been in group exhibitions at the American University Museum, DC; Plains Art Museum, ND; Art Basel, Switzerland; and the Contemporary Art Museum, TX. Her works are found in the collections of The Butler Institute of American Art, OH; The Museum of Fine Arts Houston, TX; and the McNay Art Museum, TX, among others.