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Alia Ali, Peak, 2023

Alia Ali

Peak, 2023

Archival pigment print, mounted, UV laminated, frame upholstered by the artist 

66 x 45 1/2 x 3 inches

Edition of 3 + 2 APs

Naomie Kremer, Twister, 2010

Naomie Kremer

Twister, 2010

Oil on linen 

35 1/2 x 45 inches

Lucille Lewin, Ultimate Intention, 2023

Lucille Lewin

Ultimate Intention, 2023

Porcelain

50 x 29 x 30 cm

 

Aigana Gali, Tan Ata

Aigana Gali

Tan Ata

Acrylic and oil on canvas

122 x 182cm

Azadeh Ghotbi, Untitled, 2026

Azadeh Ghotbi

Untitled, 2026

Acrylic on canvas

100 x 100 cm

Alia Ali Guardian II, 2022

Alia Ali
Guardian II, 2022
Archival pigment print, mounted, UV laminated, frame upholstered by the artist
49 x 35 inches
Edition of 5

Naomie Kremer, Blue Note, 2007

Naomie Kremer

Blue Note, 2007

Oil on linen 

47 x 47 inches

Alia Ali, Roar, 2023

Alia Ali

Roar, 2023

Archival pigment print, mounted, UV laminated, frame upholstered by the artist 

40 x 33 x 3 inches

Edition of 5 + 2 APs

Azadeh Ghotbi, Twisted Tale 4, 2014

Azadeh Ghotbi

Twisted Tale 4, 2014

Acrylic on canvas

Two 80 x 60 cm panels

Alia Ali, Blink, 2023

Alia Ali

Blink, 2023

Archival pigment print, mounted, UV laminated, frame upholstered by the artist 

30 1/2 x 22 x 3 inches

Edition of 3 + 2 APs

 

Naomie Kremer, Cyclades, 2015

Naomie Kremer

Cyclades, 2015

Oil on linen 

61 1/2 x 78 1/2 inches

Aigana Gali, Aral

Aigana Gali

Aral

Acrylic and oil on canvas

200 x 200cm

Azadeh Ghotbi, Puzzling Story 51, 2020

Azadeh Ghotbi

Puzzling Story 51, 2020

Acrylic on canvas

122 x 106 cm oval

Alia Ali, Lust, 2023

Alia Ali

Lust, 2023

Archival pigment print, mounted, UV laminated, frame upholstered by the artist 

40 x 33 x 3 inches

Edition of 5 + 2 APs

Naomie Kremer, Swarm, 2008

Naomie Kremer

Swarm, 2008

Oil on linen 

47 x 47 inches

Alia Ali Guardian I, 2022

Alia Ali
Guardian I, 2022
Archival pigment print, mounted, UV laminated,
frame upholstered by the artist in hand-printed wood bloack Rajasthani cotton
79 x 41 inches
Edition of 5

Naomie Kremer, Red Squared, 2008

Naomie Kremer

Red Squared, 2008

Oil on linen 

47 x 47 inches

Azadeh Ghotbi, Convergence Map 4, 2021

Azadeh Ghotbi

Convergence Map 4, 2021

Acrylic on canvas

152 x 122 cm

Aigana Gali, Caspian 2

Aigana Gali

Caspian 2

Acrylic and oil on canvas

153 x 122cm

Azadeh Ghotbi, Crossroad 18, 2014

Azadeh Ghotbi

Crossroad 18, 2014

Acrylic on canvas

100 x 100 cm

Alia Ali Echo, 2024

Alia Ali
Echo, 2024
Archival pigment print, mounted, UV laminated, framed upholstered by the artist
40 1/2 x 36 1/2 inches
Edition of 5 + 2AP

Azadeh Ghotbi, Innerscape 18, 2026

Azadeh Ghotbi

Innerscape 18, 2026

Acrylic on canvas

152 x 122 cm

Alia Ali Collar Up, 2023

Alia Ali
Collar Up, 2023
Archival pigment print, mounted, UV laminated, frame upholstered by the artist
66 x 39 1/2 x 3 inches
Edition of 3 + 2 AP

Azadeh Ghotbi, Untitled, 2023

Azadeh Ghotbi

Untitled, 2023

Acrylic on canvas

100 x 100 cm

LONDON Pop-Up

Rhythm in the Blues:

Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin

May 11 – 20, 2026

London-based Curator and art advisor Julia Campbell Carter and founder of Octavia Art Gallery, New Orleans, Pamela Bryan are proud to co-present Rhythm in the Blues, a dynamic group exhibition at 14 Percy Street, London, taking place from 11 – 20 May.
 

In a world of geo-political fracture and uncertainty this exhibition unites and celebrates the creative voices of five acclaimed international contemporary women artists each embodying a distinct multiplicity of nationalities, cultures, perspectives and medium – Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin. The inspiration for the show is the vital importance of art and multi-disciplinary culture and their impact on how we view the world around us. 
 

The works on view combine in a dynamic dialogue about visual tempo, migration, memory and place, forged by an international exchange between two cities steeped in their own rich and multifaceted musicality, New Orleans and London. Rhythm in the Blues is a celebratory showcase, riffing on the artists’ shared commitment to experimentation, and a concern for finding a lively, free and visceral visual language, employing techniques such as prismatic patterns, repetition, harmonies of blue hues and intuitive forms that encourage the viewer to listen with their eyes.
 

On view are Yemeni Bosnian Alia Ali’s scintillating, trompe l’oeil photographs of figures swathed in highly patterned textiles – Alia’s work carries universal meaning and are a part of our daily lives, no matter where we live or who we are, and that eventually, they enshroud us when we die. Her vibratory works, though visually arresting, are driven by research into her ancestral history. Her work has integrated the permanent collections of The British Museum, Museum of Contemporary Photography Chicago (MoCP), New Orleans Museum of Art (NOMA), and Princeton University, among others. She is a Jameel Fellow at the Victoria & Albert Museum in London.
 

For the Georgian Kazakh painter Aigana Gali, meanwhile, ancient cosmologies such as Tengrism, inform luminous abstract canvases that evoke the vastness, light and mythic landscapes of the Eurasian Steppe. Her work explores colour, spirituality and human connection to nature through expansive, atmospheric forms. Gali’s paintings, shown internationally - including at the Saatchi Gallery and the Royal Academy of Arts - blend intuitive gesture and movement, like a musician improvising with an instrument.
 

With a practice based on movement and a multiplicity of perspectives, London-based Iranian American painter and photographer Azadeh Ghobti explores themes of transience and belonging in stunning, abstract, gestural canvases that are deeply rooted in her unique personal experience and keen sense of observation. Her work aims to foster a deeper understanding an empathy for others. She invites us to pause, reflect, look beyond the surface and reveal the beauty in noticing the unseen.
 

A suite of abstract oil paintings by Israeli-born American artist Naomie Kremer, with their jagged, geometric forms, create a disorienting perceptual experience, an ambiguous atmosphere inviting the viewer to get lost and allow new, free associations to form in the mind. Although largely abstract, Kremer’s imagery draws from the real world, incorporating references to nature, architecture, language, letterforms and the human figure. Her work is informed by art history, music, poetry and literature.
 

British South African Sculptor Lucille Lewin – formerly, the founder of Whistles and Creative Director of Liberty – creates works that are fractured metaphors for human experience through time. Her seemingly delicate, poetic pieces are personal and political. She models porcelain clay, dips, slips, casts and throws it before it is cut up, pressed, extruded, broken and reassembled, a rigorous process of construction and deconstruction, akin to a composer, building her worse to a gradual crescendo.
 

This celebration of bold, borderless female creativity is both empowering and enlivening – bringing together distinct yet resonant practices, Rhythm in the Blues celebrates the power of art as a shared language through which these women artists transform rhythm, harmony, sound and ancestral echoes into bold visual expression.
 

14 Percy Street

London, W1T 1DR

May 11 – 20, 2026